Rolling his shoulders back, Dance steps up to the steel-framed door and raps twice - firm, deliberate, the kind of knock that suggests a man used to being answered.
“Hello!” His voice carries enough gravel to sound like authority, not a question.
There’s the scrape of something metal against concrete, muffled voices, the shuffle of feet.
A bolt draws back, and the door swings open to reveal Ahmad Nowzad.
He’s a lean, leather-faced man in his mid-fifties, with eyes like flint and the posture of someone who’s spent a lifetime expecting trouble.
The smell of machine oil and bondo clings to him.
His overalls are streaked with grease, the sleeves of his shirt rolled up to his sinewy elbows.
Behind him, lit by the harsh white glare of overhead fluorescents, stands a younger echo of the father - taller, heavier in the shoulders, but with the same sharp cheekbones.
Muhammad.
He leans against a battered workbench, phone in hand, thumb scrolling without looking up.
“Yes?” Ahmad’s voice is clipped, wary. “We close now.”
“Sorry for the late call,” Dance says smoothly, “but I heard you might be the right man to talk to.”
He lets the pause work, then adds, “I own a ’74 Chevy Chevelle SS. Just picked it up, but she needs a lot of bodywork.”
That gets Muhammad’s attention.
Business calls!
His eyes flick up from his phone, curiosity replacing boredom.
He taps at his screen, searching, and steps forward to show his father a glossy image of the car on Google - all muscle and chrome.
Ahmad studies it, his expression unreadable, then grunts and swings the door wider.
There might be money to be made.
“Come.”
Dance steps inside with a nod, and Erica slips in behind him, head slightly bowed, playing her part as the woman reluctantly tagging along, her interest elsewhere.
The smell hits first - a sharp cocktail of acetone, oil, and heated metal.
The shop is a cavern of shadows and harsh light, a floor dusted in a fine grit of paint particles and rust flakes.
Two cars sit on lifts, skeletal under their stripped panels.
Tool chests line one wall, drawers left half-open like mouths mid-sentence.
Chains dangle from a ceiling hoist.
Somewhere deeper in, a radio murmurs in a language Erica doesn’t understand.
To the right, a cramped office with a greasy window offers a view of the shop floor.
Beyond that, a narrow passage leads to the back - a door half-ajar showing nothing but darkness behind it.
Dance launches into small talk about the Chevelle, his tone easy, technical - enough to pass as a car enthusiast.
Ahmad listens, nodding occasionally, Muhammad chiming in with a comment about replacing quarter panels.
Erica lets her gaze drift seemingly without focus, playing the role of just another bored companion.
Neither Ahmad nor Muhammad pays her more than a passing glance.
Then she tugs lightly at Dance’s sleeve to get his attention.
“Excuse me, sir,” she says in Ahmad’s direction, her voice pitched with polite blandness. “Could I use the restroom? I’m starting to get a headache from all the fumes in here.”
Ahmad’s mouth tightens in irritation. “The toilet.”
He jerks his chin toward the rear.
“Past the office, second door left,” Muhammad adds without looking up again.
Erica offers a murmured thanks and steps toward the passage, the sound of her moccasins soft against the grit-covered concrete.
Behind her, Dance’s voice picks up again, smooth and unhurried: “Anyway, I could bring her in for an appraisal. No rush - just want the best hands on her.”
The fluorescents fade behind her, replaced by a cooler darkness. The hum of the shop drops away, swallowed by the narrow corridor.
~~~
