being Plymouth (MF+/F+) *FINISHED 20/12* *Good to see you all*

[RopeBunny]

And here we go.

As always I'll write as though you're new here, and don't know Plymouth, her life.

[RopeBunny]

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[RopeBunny]

You know those movies, Bond mostly but there are others.

Movies that jump straight into the action, for like ten minutes and you get really into it. And then.

All of a sudden up comes the title and you realise all that was just the introduction....

I kind of just did that

[BlissfulMisery]

Right into the action indeed!

And with the surprise start too, as Plymouth has apparently managed to attract Morgan into the lifestyle as well.

That brief 'am I knocking on the wrong door dressed very inappropriately' moment.

A nice line. A bit ironic too - it seems post-accident Brooke has a little more shame

Perhaps not a bad thing.

Either way, a solid start, and as always, interested to see where this goes!

[Beaumains]

An interesting written chapter with no long paragraphs or descriptions but just short statements. Nicely done.

[GreyLord]

Well played, @RopeBunny. Clear and easy to read. And fun, too. I enjoyed Plymouth showing Morgan the ropes, via Karl. I'm looking forward to more.

[RopeBunny]

a solid start, and as always, interested to see where this goes!

Nicely done.

I'm looking forward to more.

Thank you all, story continuing below. Enjoy

no long paragraphs

I used to

Didn't know a better way my stories of old are just huge walls of text, until through seeing what others did, listening to advice, now I realise keeping things in small chunks is better, easier to read.

[RopeBunny]

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[Beaumains]

Thirteen is quite an interesting choice for a pseudonym. I like it.

I have not read the second Plymouth story, so I might be saying something stupid, but for me this almost feels like a story from 15 years ago. I would think that if Plymouth wants to be as big as possible as a bondage model, then she is still quite far from her fans. She needs these production houses for her films. In the modern era, social media and some other apps for only her fans would seem far more logical. A personal brand, more direct connections, and not having videos locked behind a dozen different paywalls seems far more compelling. This is not critique, but just an observation and probably how one would do this in the 2000s.

[Mister The Edge]

Lovely.

[BlissfulMisery]

A nice little interlude, Morgan and Brooke just living life. A lot of nice (and fun!) details - on the train ride, the theater visit, ect.

Thirteen is indeed an interesting pseudonym. Reminds me of House MD, although obviously used in a different manner there Not sure if an intentional reference, or accidental/coincidental on your part.

I have not read the second Plymouth story, so I might be saying something stupid, but for me this almost feels like a story from 15 years ago. I would think that if Plymouth wants to be as big as possible as a bondage model, then she is still quite far from her fans. She needs these production houses for her films. In the modern era, social media and some other apps for only her fans would seem far more logical. A personal brand, more direct connections, and not having videos locked behind a dozen different paywalls seems far more compelling.

Not wrong - more effective to build one's own brand whenever possible instead of relying on others, and this is actually possible in today's world with things like accessible video hosting/streaming, on top of the pervasiveness of social media. But there are also many advantages to working/networking with others.

And to be fair, she did make an attempt at her own site, but things got a little... derailed.

[RopeBunny]

Lovely.

Hey, thanks for dropping a comment

Thirteen is indeed an interesting pseudonym. Reminds me of House MD, although obviously used in a different manner there Not sure if an intentional reference, or accidental/coincidental on your part.

I've not seen that show. Thirteen, picked mostly as it sounded cool, to me. Something alternative like Plymouth was. Not a proper name, but not something downright silly.

I have not read the second Plymouth story, so I might be saying something stupid, but for me this almost feels like a story from 15 years ago. I would think that if Plymouth wants to be as big as possible as a bondage model, then she is still quite far from her fans. She needs these production houses for her films. In the modern era, social media and some other apps for only her fans would seem far more logical. A personal brand, more direct connections, and not having videos locked behind a dozen different paywalls seems far more compelling. This is not critique, but just an observation and probably how one would do this in the 2000s.

Hey.

You aren't wrong.

Basically it mostly comes down to a lack of industry knowledge/research on my part. Back at the beginning I wanted to write a porn star origin story, which means lots of different sites/producers and lots of varied shoots.

Which, the shoots, seemed a good way to tie everything together.

I was, am, vaguely aware there are better real world methods of being an adult model, but this one works for my purposes.

As far as time period goes I've never put any thought into a when? Though I think (?) in my head it's always been roughly now, or at least somewhen in the 2010's shall we say.

It wasn't anything I felt mattered, grounding Plymouth in a set year.

There was, as has been pointed out a never fully realised attempt to write Plymouth setting her own site up, it all fell short. The story took a turn I believe, heading other ways.

Prehaps some of that helps?

[RopeBunny]

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[RopeBunny]

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[Beaumains]

Nice continuation. I love the descriptions of Plymouth's mixed feelings during the shoot and the eventual pleasure.

As far as time period goes I've never put any thought into a when? Though I think (?) in my head it's always been roughly now, or at least somewhen in the 2010's shall we say.

It wasn't anything I felt mattered, grounding Plymouth in a set year.

Yeah, it is much easier not to be too precise about the year, (and far from a problem. The bondage is the most important ). What I notice is that it is far too easy to add subtle details which in reality would conflict with the intended time period. For example, I recall one of the scenes in the original Plymouth contained minecraft or here, you talked about apps on a phone. However, geographical facts, like the description of Owl woods, make the story feel much more real.

[BlissfulMisery]

I've not seen that show. Thirteen, picked mostly as it sounded cool, to me. Something alternative like Plymouth was. Not a proper name, but not something downright silly.

Fair enough - was just curious.

Seems Morgan/Thirteen is following closely in Brooke's footsteps - so far these intro chapters feel like a mirror of the early chapters of Brooke's own bondage journey, even if somewhat abridged. Perhaps not intentional, but a nice callback.

As mentioned, the descriptions of Plymouth's feelings are quite good. A hint of quite believable awkwardness, uncertain feelings. Not so much as to distract from/dilute things, but it brings character to the scene.

The site, Midnight Peril except all one word if you're typing, as most things are.

Lots of nice details as usual, but I liked this bit. Seemingly trivial in the grand scheme of things, but it is the sort of thing that makes reading more interesting, rather then the text feeling as if it is 'going through the motions'.

[RopeBunny]

I recall one of the scenes in the original Plymouth contained minecraft

Damn that's a good memory. Or did you cheat and go back to find it?

Anyway. Yes. You're right the bondage is what matters, not so much the year/time frame, not unless you're specifically trying to ground the story in a certain place or era.

Seems Morgan/Thirteen is following closely in Brooke's footsteps - so far these intro chapters feel like a mirror of the early chapters of Brooke's own bondage journey, even if somewhat abridged. Perhaps not intentional, but a nice callback.

It's kind of intentional

It's nice/fun to write origin stuff, beginnings are something I enjoy.

Plus (not really spoiling) you can't have what's coming without writing what happens first, first.

Thank you both for commenting.

[RopeBunny]

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[RopeBunny]

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[RopeBunny]

Cut me some slack with the French.

Please.

Wanted to give it a go, but I realise that Google translate plus rarely used school knowledge probably doesn't make me and expert.

[Beaumains]

That was quite an adventure. I like the set up and execution of this scene. Plymouth and Morgan are shown to have a relationship outside of the work and just enjoy their time and then an opportuinity for more adventure and work is presented. In the first few chapters, they were far more cautious about their employers, which they disregarded now surprisingly. Good stuff. I reckon the final product of this shoot is again very hot.

[BlissfulMisery]

Plus (not really spoiling) you can't have what's coming without writing what happens first, first.

Ahh yes indeed, the world (even the fictional apparently) does operate under the auspices of chronological cause and effect

Poor attempts at humor aside, I understand what you mean. And indeed, beginnings are often quite interesting, for they often hold much promise, a sort of web of possibilities opening before oneself.

Cut me some slack with the French.

I will not hold your efforts at proper immersion against you

-

I like the descriptions of the trip itself. Just one example, but:

Spinning.

Shifting.

The beat, now loud enough to roll right over us. Fast like a steam train thundering along midnight tracks. The music swamps us, everyone.

Chaos and jumping and cheering and hands in the air and noise and that beat I'll still be feeling two days from now.

In my bones.

Brooke once again doing things on a whim - a trait that both leads her on fun adventures, and occasionally into trouble. In this case seemingly (thankfully?) the former.

As for the shoot, overall a very fluid scene, with the roles constantly switching seemingly on a whim, but in a way that seems perfectly natural - quite well done. Brooke once again drifting into the territory of mixing work and play, something she has struggled with in the past.

And of course showcasing her usual love of helplessness, which Morgan seems to be naturally picking up on as time goes on... Perhaps even taking advantage of just a little, even if in a different manner then some of Plymouths previous partners. A more passive form of it, but still firm dominance nonetheless, exactly the way Brooke wants (or perhaps needs?). Overall a great scene, especially the entire dynamic between Brooke and Morgan that plays out during it's course.

I look at Morgan, she back at me. We swap still honry grins.

Bit of a typo in that sentence

What a trip.

Indeed.

[RopeBunny]

Sort of on a whim I suppose, unplanned and happy coincidence that Constance was there.

But.

She did prove her credentials before the shoot. And I suppose what came after is/was risky. But that's just how Brooke's life seems to roll

Suppose it says a lot regarding my own love of the 'helplessness' angle that I had in mind to write a France part three, Brooke waking up to discover herself abandoned, or some other form of peril

Maybe next time.

[RopeBunny]

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[RopeBunny]

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