Penny Bloom, Police Observer -Story 1 AND 2 (M/F)
Posted: Sat Nov 29, 2025 12:02 am
This is a story I wrote several years ago, when I had time to write a little more creatively, about a character named Penny Bloom for an old, defunct board on Damsels in Distress in Film, whose name actually escapes me.
If you like it, I have more in my files.
PENNY BLOOM: THE THEATER WALL JOB
Featuring
Penny Bloom was a former records and evidence clerk for the Bayview PD. Her keen eye for spotting the unusual got her a promotion to civilian observer at Bayview PD. She is sharp-eyed and dryly sarcastic under pressure. Her physical trademarks are her neat red ponytail, attractive legs, and, more importantly, a habit of noticing things others miss, which always gets her in trouble.
Sgt. Cutter is a gruff and exasperated detective supervising Penny. He is protective, sharp, and easily irritated by her rule-bending, but trusts her instincts more than he admits.
The Bayview Theater glowed under its bright marquee, but Penny Bloom felt something off the moment she walked up the steps. The staff moved with a practiced cheerfulness that looked more like tension than hospitality.
Sgt. Cutter met her at the entrance, arms crossed, wearing the expression of a man already bracing for disaster.
“Bloom,” he said, “you’re here to watch a show. Not investigate. Not snoop. Do not disappear backstage. Just sit in your seat and observe. We think the whole cast and crew might know something we don't.”
Penny adjusted her black V-neck sweater, smoothed down her black mini skirt, and shifted her weight in her black heels. “Cutter, I’m literally just an audience member tonight.”
“You say that like it’s reassuring. It’s not.” He grimaced. “Every time I send you somewhere to observe, you end up tied to something.”
“Only sometimes.”
“Seven times,” Cutter corrected.
Penny pushed open the theater door. “Well, this won’t be number eight.”
He didn’t look convinced.
Inside, she found Row G, dead center—perfect view of the stage. Actors peeked from behind the curtains, stagehands whispered urgently, and the air buzzed with nervous energy.
Something was wrong here.
The left-wing backstage door shut softly — but the wall beside it hummed. Just a faint vibration. Too faint for anyone else to notice.
Penny leaned forward, eyes narrowing.
New drywall. Fresh paint. Seems too clean.
A false wall.
And behind it — by her mental map — sat the northern service corridor of the Bayview Mall.
A direct connection.
Her pulse tightened.
Act One began. But Penny’s mind was locked on that wall. Once the play was underway, she slipped out of Row G.
Backstage, every crew member stiffened when Penny passed. Too many eyes, too much vigilance. Anyone who asked her what she was doing said she was a friend of a cast member and just leaving throat drops for them.
She approached the false wall and crouched. New screws. Fresh paint. A thin draft escaping from the bottom seam.
She pressed her ear to it.
A faint metallic rattle.
A shopping cart.
Inside a mall.
Penny’s heart jumped. She pulled out her phone.
“Cutter, I think there’s a—”
Something slammed into her back.
Her phone skidded across the floor.
A man grabbed her arm. Another pushed her into a room and shut the door behind them. A third pushed her forward as soon as they entered.
Three — maybe four — gang members. Irritated, sweaty from labor, not theatrical or stylized. Just dangerous.
“You weren’t supposed to come back here,” one snapped.
“I was… looking for the dressing room of a friend,” Penny tried.
“I know her one of the gang said, She’s Sgt. Cutter’s observer with the cute legs,” another muttered. “Tie her.”
Penny lifted her chin. “Before we escalate, let’s remem—”
“Hands behind your back.”
She sighed. “Figures.”
She placed her hands behind her.
Rope cinched around her wrists — fast, clean, tight, expertly knotted. She tested the binding immediately.
No slack.
Another crouched and bound her crossed ankles together over her heels, knotting the rope firmly. A third tied her knees.
She had never been tied this tight so quickly.
“We’re not hurting you,” someone said, breath sharp. “We just can’t have you yelling.”
“I wasn’t going to yell,” Penny replied. “I was going to say that Cutter thinks your plan is—mmph!”
A rolled handkerchief slid between her teeth mid-sentence and was tied firmly behind her head, turning her protest into a muffled glare.
The gang leader pointed to the stage.
“Act Two’s getting ready to start. Put her on.”
Two men lifted her under the arms and carried her toward the wings — safely but decisively.
The curtain rose.
And Penny Bloom was carried straight into the lights.
The audience gasped.
Penny sat center stage on a wooden crate, wrists tied behind her, ankles bound neatly, gag tight between her teeth. Her red ponytail was slightly tousled, her cheeks flushed from the struggle.
But instead of panic, whispers of admiration spread:
“Whoa… I don’t remember this part in the program.”
“Is this a kidnapping scene?”
“She looks genuinely irritated — that’s some acting.”
“Those ropes look real. Props department stepped up.”
From a cluster of men in Row H:
“Dang — look at her legs under those lights. She stands out from here.”
“She’s got long legs for days — no wonder they put her center stage.”
“Stage presence like that pulls your eye instantly.”
The actors moved around her, pretending she was part of the scene since they knew exactly what was going on.
One bent close and whispered, “Stay still. This ends sooner if you behave.”
A man in Row D murmured:
“Her legs make that whole pose look dramatic — she looks like she’s in control even tied up.”
Another actor passed and muttered, “Should’ve stayed in Row G, long-legs.”
Row H responded instantly:
“She really does have long legs — strong stage silhouette.”
“No actress at this theater holds a scene like that.”
“She looks like she could break out of those ropes.”
Penny mmph’d something sarcastic — earning impressed whispers:
“She even sounds gagged. That’s commitment.”
“She steals the whole stage.”
But Penny was scanning the crowd.
Her eyes locked on Cutter entering the lobby.
He saw the empty Row G.
He froze.
Then saw her tied on stage.
Tension went through him like electricity.
He whispered something lethal under his breath.
Row H murmured:
“Whoa, that detective actor is intense.”
“He looks like he means business.”
“Great casting.”
Then Cutter moved.
He pushed through the aisle, climbed the steps, and an actor tried to stop him.
“Sir, please return to your—”
“MOVE.”
The actor moved.
Row H reacted:
“He didn’t break character!”
“This show is wild.”
“She still looks composed — those legs are steady even tied up.”
Cutter reached Penny and knelt beside her.
“Bloom,” he muttered, “I swear to God—”
Someone whispered:
“She even looks annoyed at him. That’s chemistry.”
Penny mmph’d furiously.
Cutter yanked the gag loose, letting it dangle around her neck.
“You were supposed to observe!”
“They built a wall,” she hissed. “Straight into the mall. They’re looting stores.”
Row H whispered:
“She delivers lines like a pro.”
“She looks like she’s really in distress.”
Gang members suddenly surged from backstage.
Cutter spun, gun raised. “Police! DOWN!”
Gasps.
Screams.
Confusion.
One man whispered:
“…Okay, but seriously, she’s got striking legs. Hard not to notice.”
Cutter dragged Penny behind a pillar and attacked her knots.
“You always get tied up,” he growled.
“You always get mad,” Penny shot back.
“You always disobey!”
“And you always rescue me! Now move faster!”
Row H whispered:
“…This is real.”
He freed her wrists.
Her ankles.
Her knees.
Penny stood, shaking pins-and-needles.
A final whisper drifted from the audience:
“She’s definitely not an actress.”
The illusion shattered.
Cutter and Penny stormed backstage just as police backup burst into the building. Gang members bolted for the false wall. Officers intercepted them before they could reach the panel.
Within minutes, the crew was cuffed, the wall exposed, and the mall secured.
Later, Penny sat on the stage steps, adjusting her sweater, brushing dust off her skirt. The gag hung loose around her neck like a scarf.
Cutter paced in front of her.
“You promised,” he said. “You promised you’d behave.”
“I observed,” Penny said. “Just… from multiple angles.”
“You were tied up onstage.”
Penny crossed her long legs gently. “Briefly.”
“Bloom,” Cutter said, voice rising, “you were the featured attraction of Act Two!”
“I didn’t plan it.”
“You never plan it! It just happens to you!”
Penny shrugged. “But I did find the wall.”
Cutter pinched the bridge of his nose. “Yes. You did.”
“And the gang.”
“Yes.”
“And the stolen merchandise pipeline.”
“Yes.”
“And you rescued me.”
Cutter sighed with the weight of ten years added to his life. “Bloom… you’re going to be the death of me.”
She stood, smoothing her skirt. “But you’re glad I saw it.”
He paused. “Yeah,” he muttered. “I am.”
They walked toward the exit.
Behind them, officers sealed the false wall and collected evidence.
As they reached the lobby, Cutter added, “And for the record, I heard some of the audience comments.”
Penny froze. “…About?”
“Your legs.”
She went scarlet. “Oh.”
Cutter groaned. “Bloom, why does every man in this city notice your legs before I do anything useful?”
Penny smiled. “Occupational hazard?”
Cutter muttered something furious and affectionate.
Together, they walked into the night — another case closed, another rescue completed, and Penny Bloom already planning to write everything down before bed.
If you like it, I have more in my files.
PENNY BLOOM: THE THEATER WALL JOB
Featuring
Penny Bloom was a former records and evidence clerk for the Bayview PD. Her keen eye for spotting the unusual got her a promotion to civilian observer at Bayview PD. She is sharp-eyed and dryly sarcastic under pressure. Her physical trademarks are her neat red ponytail, attractive legs, and, more importantly, a habit of noticing things others miss, which always gets her in trouble.
Sgt. Cutter is a gruff and exasperated detective supervising Penny. He is protective, sharp, and easily irritated by her rule-bending, but trusts her instincts more than he admits.
The Bayview Theater glowed under its bright marquee, but Penny Bloom felt something off the moment she walked up the steps. The staff moved with a practiced cheerfulness that looked more like tension than hospitality.
Sgt. Cutter met her at the entrance, arms crossed, wearing the expression of a man already bracing for disaster.
“Bloom,” he said, “you’re here to watch a show. Not investigate. Not snoop. Do not disappear backstage. Just sit in your seat and observe. We think the whole cast and crew might know something we don't.”
Penny adjusted her black V-neck sweater, smoothed down her black mini skirt, and shifted her weight in her black heels. “Cutter, I’m literally just an audience member tonight.”
“You say that like it’s reassuring. It’s not.” He grimaced. “Every time I send you somewhere to observe, you end up tied to something.”
“Only sometimes.”
“Seven times,” Cutter corrected.
Penny pushed open the theater door. “Well, this won’t be number eight.”
He didn’t look convinced.
Inside, she found Row G, dead center—perfect view of the stage. Actors peeked from behind the curtains, stagehands whispered urgently, and the air buzzed with nervous energy.
Something was wrong here.
The left-wing backstage door shut softly — but the wall beside it hummed. Just a faint vibration. Too faint for anyone else to notice.
Penny leaned forward, eyes narrowing.
New drywall. Fresh paint. Seems too clean.
A false wall.
And behind it — by her mental map — sat the northern service corridor of the Bayview Mall.
A direct connection.
Her pulse tightened.
Act One began. But Penny’s mind was locked on that wall. Once the play was underway, she slipped out of Row G.
Backstage, every crew member stiffened when Penny passed. Too many eyes, too much vigilance. Anyone who asked her what she was doing said she was a friend of a cast member and just leaving throat drops for them.
She approached the false wall and crouched. New screws. Fresh paint. A thin draft escaping from the bottom seam.
She pressed her ear to it.
A faint metallic rattle.
A shopping cart.
Inside a mall.
Penny’s heart jumped. She pulled out her phone.
“Cutter, I think there’s a—”
Something slammed into her back.
Her phone skidded across the floor.
A man grabbed her arm. Another pushed her into a room and shut the door behind them. A third pushed her forward as soon as they entered.
Three — maybe four — gang members. Irritated, sweaty from labor, not theatrical or stylized. Just dangerous.
“You weren’t supposed to come back here,” one snapped.
“I was… looking for the dressing room of a friend,” Penny tried.
“I know her one of the gang said, She’s Sgt. Cutter’s observer with the cute legs,” another muttered. “Tie her.”
Penny lifted her chin. “Before we escalate, let’s remem—”
“Hands behind your back.”
She sighed. “Figures.”
She placed her hands behind her.
Rope cinched around her wrists — fast, clean, tight, expertly knotted. She tested the binding immediately.
No slack.
Another crouched and bound her crossed ankles together over her heels, knotting the rope firmly. A third tied her knees.
She had never been tied this tight so quickly.
“We’re not hurting you,” someone said, breath sharp. “We just can’t have you yelling.”
“I wasn’t going to yell,” Penny replied. “I was going to say that Cutter thinks your plan is—mmph!”
A rolled handkerchief slid between her teeth mid-sentence and was tied firmly behind her head, turning her protest into a muffled glare.
The gang leader pointed to the stage.
“Act Two’s getting ready to start. Put her on.”
Two men lifted her under the arms and carried her toward the wings — safely but decisively.
The curtain rose.
And Penny Bloom was carried straight into the lights.
The audience gasped.
Penny sat center stage on a wooden crate, wrists tied behind her, ankles bound neatly, gag tight between her teeth. Her red ponytail was slightly tousled, her cheeks flushed from the struggle.
But instead of panic, whispers of admiration spread:
“Whoa… I don’t remember this part in the program.”
“Is this a kidnapping scene?”
“She looks genuinely irritated — that’s some acting.”
“Those ropes look real. Props department stepped up.”
From a cluster of men in Row H:
“Dang — look at her legs under those lights. She stands out from here.”
“She’s got long legs for days — no wonder they put her center stage.”
“Stage presence like that pulls your eye instantly.”
The actors moved around her, pretending she was part of the scene since they knew exactly what was going on.
One bent close and whispered, “Stay still. This ends sooner if you behave.”
A man in Row D murmured:
“Her legs make that whole pose look dramatic — she looks like she’s in control even tied up.”
Another actor passed and muttered, “Should’ve stayed in Row G, long-legs.”
Row H responded instantly:
“She really does have long legs — strong stage silhouette.”
“No actress at this theater holds a scene like that.”
“She looks like she could break out of those ropes.”
Penny mmph’d something sarcastic — earning impressed whispers:
“She even sounds gagged. That’s commitment.”
“She steals the whole stage.”
But Penny was scanning the crowd.
Her eyes locked on Cutter entering the lobby.
He saw the empty Row G.
He froze.
Then saw her tied on stage.
Tension went through him like electricity.
He whispered something lethal under his breath.
Row H murmured:
“Whoa, that detective actor is intense.”
“He looks like he means business.”
“Great casting.”
Then Cutter moved.
He pushed through the aisle, climbed the steps, and an actor tried to stop him.
“Sir, please return to your—”
“MOVE.”
The actor moved.
Row H reacted:
“He didn’t break character!”
“This show is wild.”
“She still looks composed — those legs are steady even tied up.”
Cutter reached Penny and knelt beside her.
“Bloom,” he muttered, “I swear to God—”
Someone whispered:
“She even looks annoyed at him. That’s chemistry.”
Penny mmph’d furiously.
Cutter yanked the gag loose, letting it dangle around her neck.
“You were supposed to observe!”
“They built a wall,” she hissed. “Straight into the mall. They’re looting stores.”
Row H whispered:
“She delivers lines like a pro.”
“She looks like she’s really in distress.”
Gang members suddenly surged from backstage.
Cutter spun, gun raised. “Police! DOWN!”
Gasps.
Screams.
Confusion.
One man whispered:
“…Okay, but seriously, she’s got striking legs. Hard not to notice.”
Cutter dragged Penny behind a pillar and attacked her knots.
“You always get tied up,” he growled.
“You always get mad,” Penny shot back.
“You always disobey!”
“And you always rescue me! Now move faster!”
Row H whispered:
“…This is real.”
He freed her wrists.
Her ankles.
Her knees.
Penny stood, shaking pins-and-needles.
A final whisper drifted from the audience:
“She’s definitely not an actress.”
The illusion shattered.
Cutter and Penny stormed backstage just as police backup burst into the building. Gang members bolted for the false wall. Officers intercepted them before they could reach the panel.
Within minutes, the crew was cuffed, the wall exposed, and the mall secured.
Later, Penny sat on the stage steps, adjusting her sweater, brushing dust off her skirt. The gag hung loose around her neck like a scarf.
Cutter paced in front of her.
“You promised,” he said. “You promised you’d behave.”
“I observed,” Penny said. “Just… from multiple angles.”
“You were tied up onstage.”
Penny crossed her long legs gently. “Briefly.”
“Bloom,” Cutter said, voice rising, “you were the featured attraction of Act Two!”
“I didn’t plan it.”
“You never plan it! It just happens to you!”
Penny shrugged. “But I did find the wall.”
Cutter pinched the bridge of his nose. “Yes. You did.”
“And the gang.”
“Yes.”
“And the stolen merchandise pipeline.”
“Yes.”
“And you rescued me.”
Cutter sighed with the weight of ten years added to his life. “Bloom… you’re going to be the death of me.”
She stood, smoothing her skirt. “But you’re glad I saw it.”
He paused. “Yeah,” he muttered. “I am.”
They walked toward the exit.
Behind them, officers sealed the false wall and collected evidence.
As they reached the lobby, Cutter added, “And for the record, I heard some of the audience comments.”
Penny froze. “…About?”
“Your legs.”
She went scarlet. “Oh.”
Cutter groaned. “Bloom, why does every man in this city notice your legs before I do anything useful?”
Penny smiled. “Occupational hazard?”
Cutter muttered something furious and affectionate.
Together, they walked into the night — another case closed, another rescue completed, and Penny Bloom already planning to write everything down before bed.