Scold's Bridled by Her Own Hand (-/F M/F) - Part 2 added
Posted: Wed Oct 01, 2025 8:25 pm
Scold's Bridled by Her Own Hand
I am Kathrin and for six years now I have been the mayor of our little town. It's an office I love although it's certainly no 9-to-5 job, rather one that follows me from the town hall into my home and sometimes into my dreams.
One of the few hobbies that I still allow myself is our historical guild. I've been with the guild since I was born, because already my parents were active members. My first role was baker's apprentice, then milkmaid, then (once and unconvincingly) a virgin princess. I was junior witch twice (more convincingly), a shield-maiden once (but was not keen on wielding swords) and I even wore the velvet robe of the dutchess at our castle's 600-year anniversary.
To make this very clear: we are no 'renfaire' guild, which hangs around at these commercial carnivals. We are a historic guild. We wear historic dress, we pitch tent in the shadow of real castles, we tolerate no elves and no orcs among our ranks.
Anyway, with a stressfull office my activity in the guild has dwindled down to one event per year:
Our town's annual castle festival is the heart of the year for our guild. Every August I enjoy the familiar scent of woodsmoke, warm beer and sausages that have been on the grill too long. After having run through all female positions the guild has to offer, I now prefer the role as a simple kitchen helper at our guild's tavern stand. Just a plain linen dress, an apron, bare feet and a few peaceful days with my old friends. And as mayor nobody denies me this role ... "doing some honest work for a change"
At least that is my hope every year. But reality is more like :
"Madam Mayor, could I just bend thine ear for a moment?"
“Milady, my cousin seeketh permit for a shed but the Building Council answereth not...”
Or just as bad in modern tongue:
“Mayor, can I talk to you real quick about zoning near the river path?”
I can't escape it. Even in a laced bodice and soot-streaked apron I seem to be on duty. They expect me to break character and be at their service - a walking Town Hall collecting empty beer steins. Last year, after a non-ending conversation about speed limits and festival parking — while I was scrubbing grease off our big copper cauldron — I nearly quit the guild altogether.
But before I could bring myself to send the email, we had a group outing. The castle in the neighboring town had finally been renovated. And before they opened for the common public, they invited our guild for a tour - we do have some historical expertise among us and with our costumes we always provide a great photo opportunity. A bus trip was organized, the visit fell on one of the few empty days in my calendar, so I just jumped on board.
A lady from the administration of castles and gardens guided us through the newly opened castle rooms. But instead of talking about the history and architecture of the castle she delved on costs, funding, emergency exits and wheelchair accessible toilets. 'Good to know when I renovate my own castle' I was tempted to say.
Thankfully she didn't guide us through the last station, which was the dungeon and torture chamber. There we were greeted by Ian, the local blacksmith. A bear of a man as you'd expect from a blacksmith, he wore a leather apron over his tunic and spoke fluent renfaire-lingo.
"Kind friends and gentlefolk" he went as we entered the chilly torture chamber "like any prisoner that arrived here hundreds of years before, let me show you the instruments of truth, order and obedience... As your schooled eye will certainly note, most of them are replicates, alas truthfully crafted from historic examples. How doth I knoweth? Ian, your humble blacksmith, forged them himself."
He pointed out the rack, the Iron Maiden, the heretic's fork. Well made but nothing we hadn't seen before. But then something unusual: a Scold's Bridle. A cage around the head, its front an iron mask with a flat tongue-press that jutted inward the mouth.
"When this piece is locked upon the head" he said with visible pride "the wearer may utter not a word lest their tongue be cleft or crushed. A tool for unruly women."
He laughed at his own joke. The female half of our group didn’t, the male half didn't dare to.
“Would any brave soul among ye dare try it on?” he asked, holding the mask aloft.
I almost raised my hand but a younger girl* beat me to it and stepped giggling forward. They buckled it on her. Her whole face disappeared behind its iron plates and though she tried to speak no intelligible sound came. Just wide eyes and awkward shrugs. Don't ask me about the other torture instruments that Ian presented to us afterwards - I admit I was captivated by the Scold's Bridle that the girl wore. A few minutes later they removed it already since we had to catch our dinner reservations.
(*) That girl was 'Barbara the Volunteer' as we call her. She had never volunteered for anything usefull. But whenever someone was needed to be locked in the tickling stocks, be dunked in the water or be lead to public trial as a witch one could count on her. Her favourite act was to walk over glowing coals as proof that she was no witch - most impressive after sunset.
Back on the bus I still thought what it might be like wearing a Scold's Bridle:
"Treated a commoner, unrecognised, and if - not able t'answer to the heart-aches and the thousand natural shocks that public's flesh is heir to: 'tis a consummation devoutly to be wish'd." I might have said had a skull been handy.
Only three days passed before I visited Ian’s smithy. He looked surprised to see me but recognised me despite me wearing business attire this time.
"A good morrow to thee, Lady Mayor! What seekest thou from mine humble forge this fair day?"
(Was he really staying in character all day? Hold my mead. A girl like me, born to the guild, can out-character you any day.)
"I am come to commission a Scold’s Bridle, good smith."
"Ah! Methinks thou wert taken with it, when last I did present the piece unto thy company." (Had I been that obvious?)
"Verily, such delicate smithwork is rare these days — a marvel wrought in iron." (Thank god not!)
"What cost dost thou set upon it?" (Maybe a little blunt.)
"The making of it shall keep me well occupied for a fortnight. Three thousand and five hundred Talers, tax included — shouldst thou require an invoice."
"Aye, I DO require an invoice. Who among us doth not?" (Who was kidding whom?)
"So thou art content with the price?" (As though he couldn't believed his luck.)
Breaking character a little, he turned to his computer. Soon an order confirmation slid quietly out of his laser printer.
"I had hoped for a parchment writ by quill, with waxen seal and all."
"Would that I could, m’lady. But alas — the king’s tax men cannot read the cursive hand." (He handed me the paper; I signed it with a cheap ballpen.)
"Dost thou require coin in advance?"
"Nay, not from a noble dame such as thyself, good Lady Mayor. I thank thee and shall send word when the work is complete — likely in a fortnight’s time."
And just like that, he figured we were done for the day.
"Dost thou not require my measurements?" I asked him.
"Measurements? For what purpose, milady?"
"If I am to wear it properly, it must needs fit, must it not?" (I was tempted to add “stupid.”)
"Wear it? Thou wouldst don the bridle thyself? But for what cause, madam?"
"For silence. For presence. For... peace." (I gave him a wry smile.) "And not for five minutes, good man. I mean to wear it a whole day."
(He blinked, nervous now. Wiping his hands on his leather apron.)
"Then must I fetch my tools of measure. Prithee, wait but a moment."
He returned less nervous and set to work: measuring the circumference of my head, the breadth of my jaw, the line of my throat, and more.
"I believe that shall suffice. Return in two weeks’ time, milady, and we shall see what the forge hath wrought."
[ to be continued ]
Thy feedback is welcome.
I am Kathrin and for six years now I have been the mayor of our little town. It's an office I love although it's certainly no 9-to-5 job, rather one that follows me from the town hall into my home and sometimes into my dreams.
One of the few hobbies that I still allow myself is our historical guild. I've been with the guild since I was born, because already my parents were active members. My first role was baker's apprentice, then milkmaid, then (once and unconvincingly) a virgin princess. I was junior witch twice (more convincingly), a shield-maiden once (but was not keen on wielding swords) and I even wore the velvet robe of the dutchess at our castle's 600-year anniversary.
To make this very clear: we are no 'renfaire' guild, which hangs around at these commercial carnivals. We are a historic guild. We wear historic dress, we pitch tent in the shadow of real castles, we tolerate no elves and no orcs among our ranks.
Anyway, with a stressfull office my activity in the guild has dwindled down to one event per year:
Our town's annual castle festival is the heart of the year for our guild. Every August I enjoy the familiar scent of woodsmoke, warm beer and sausages that have been on the grill too long. After having run through all female positions the guild has to offer, I now prefer the role as a simple kitchen helper at our guild's tavern stand. Just a plain linen dress, an apron, bare feet and a few peaceful days with my old friends. And as mayor nobody denies me this role ... "doing some honest work for a change"
At least that is my hope every year. But reality is more like :
"Madam Mayor, could I just bend thine ear for a moment?"
“Milady, my cousin seeketh permit for a shed but the Building Council answereth not...”
Or just as bad in modern tongue:
“Mayor, can I talk to you real quick about zoning near the river path?”
I can't escape it. Even in a laced bodice and soot-streaked apron I seem to be on duty. They expect me to break character and be at their service - a walking Town Hall collecting empty beer steins. Last year, after a non-ending conversation about speed limits and festival parking — while I was scrubbing grease off our big copper cauldron — I nearly quit the guild altogether.
But before I could bring myself to send the email, we had a group outing. The castle in the neighboring town had finally been renovated. And before they opened for the common public, they invited our guild for a tour - we do have some historical expertise among us and with our costumes we always provide a great photo opportunity. A bus trip was organized, the visit fell on one of the few empty days in my calendar, so I just jumped on board.
A lady from the administration of castles and gardens guided us through the newly opened castle rooms. But instead of talking about the history and architecture of the castle she delved on costs, funding, emergency exits and wheelchair accessible toilets. 'Good to know when I renovate my own castle' I was tempted to say.
Thankfully she didn't guide us through the last station, which was the dungeon and torture chamber. There we were greeted by Ian, the local blacksmith. A bear of a man as you'd expect from a blacksmith, he wore a leather apron over his tunic and spoke fluent renfaire-lingo.
"Kind friends and gentlefolk" he went as we entered the chilly torture chamber "like any prisoner that arrived here hundreds of years before, let me show you the instruments of truth, order and obedience... As your schooled eye will certainly note, most of them are replicates, alas truthfully crafted from historic examples. How doth I knoweth? Ian, your humble blacksmith, forged them himself."
He pointed out the rack, the Iron Maiden, the heretic's fork. Well made but nothing we hadn't seen before. But then something unusual: a Scold's Bridle. A cage around the head, its front an iron mask with a flat tongue-press that jutted inward the mouth.
"When this piece is locked upon the head" he said with visible pride "the wearer may utter not a word lest their tongue be cleft or crushed. A tool for unruly women."
He laughed at his own joke. The female half of our group didn’t, the male half didn't dare to.
“Would any brave soul among ye dare try it on?” he asked, holding the mask aloft.
I almost raised my hand but a younger girl* beat me to it and stepped giggling forward. They buckled it on her. Her whole face disappeared behind its iron plates and though she tried to speak no intelligible sound came. Just wide eyes and awkward shrugs. Don't ask me about the other torture instruments that Ian presented to us afterwards - I admit I was captivated by the Scold's Bridle that the girl wore. A few minutes later they removed it already since we had to catch our dinner reservations.
(*) That girl was 'Barbara the Volunteer' as we call her. She had never volunteered for anything usefull. But whenever someone was needed to be locked in the tickling stocks, be dunked in the water or be lead to public trial as a witch one could count on her. Her favourite act was to walk over glowing coals as proof that she was no witch - most impressive after sunset.
Back on the bus I still thought what it might be like wearing a Scold's Bridle:
"Treated a commoner, unrecognised, and if - not able t'answer to the heart-aches and the thousand natural shocks that public's flesh is heir to: 'tis a consummation devoutly to be wish'd." I might have said had a skull been handy.
Only three days passed before I visited Ian’s smithy. He looked surprised to see me but recognised me despite me wearing business attire this time.
"A good morrow to thee, Lady Mayor! What seekest thou from mine humble forge this fair day?"
(Was he really staying in character all day? Hold my mead. A girl like me, born to the guild, can out-character you any day.)
"I am come to commission a Scold’s Bridle, good smith."
"Ah! Methinks thou wert taken with it, when last I did present the piece unto thy company." (Had I been that obvious?)
"Verily, such delicate smithwork is rare these days — a marvel wrought in iron." (Thank god not!)
"What cost dost thou set upon it?" (Maybe a little blunt.)
"The making of it shall keep me well occupied for a fortnight. Three thousand and five hundred Talers, tax included — shouldst thou require an invoice."
"Aye, I DO require an invoice. Who among us doth not?" (Who was kidding whom?)
"So thou art content with the price?" (As though he couldn't believed his luck.)
Breaking character a little, he turned to his computer. Soon an order confirmation slid quietly out of his laser printer.
"I had hoped for a parchment writ by quill, with waxen seal and all."
"Would that I could, m’lady. But alas — the king’s tax men cannot read the cursive hand." (He handed me the paper; I signed it with a cheap ballpen.)
"Dost thou require coin in advance?"
"Nay, not from a noble dame such as thyself, good Lady Mayor. I thank thee and shall send word when the work is complete — likely in a fortnight’s time."
And just like that, he figured we were done for the day.
"Dost thou not require my measurements?" I asked him.
"Measurements? For what purpose, milady?"
"If I am to wear it properly, it must needs fit, must it not?" (I was tempted to add “stupid.”)
"Wear it? Thou wouldst don the bridle thyself? But for what cause, madam?"
"For silence. For presence. For... peace." (I gave him a wry smile.) "And not for five minutes, good man. I mean to wear it a whole day."
(He blinked, nervous now. Wiping his hands on his leather apron.)
"Then must I fetch my tools of measure. Prithee, wait but a moment."
He returned less nervous and set to work: measuring the circumference of my head, the breadth of my jaw, the line of my throat, and more.
"I believe that shall suffice. Return in two weeks’ time, milady, and we shall see what the forge hath wrought."
[ to be continued ]
Thy feedback is welcome.