The Mad Scientist (FF/F+)
Posted: Fri Jan 24, 2025 3:46 pm
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The Mad Scientist
Secretarial Adventures
Production Date: Wednesday, June 27, 2018
Penny Nichols opens her eyes and looks around the room. She has a terrible headache and even winces in reaction to the fluorescent lights. She isn’t sure what has happened because she hasn’t any memory of what happened. The room has what appears to be a stereotypical chemist vibe to it, but the room seems disquieting to her sensibilities.
She turns to the right and sees her co-worker Karina Nilsson is awakening and stirring too. It’s a few moments before Penny realizes that strips of duct tape seal the lips of Karina’s mouth. Then, Penny tries to talk, and she feels what seems to be one or two handkerchiefs in her mouth. After a moment, she realizes that she and Karina are bound and gagged!
“MMMMMMMM!†Penny yells to get Karina’s attention.
They are quite an interesting sight in their business suits. They are woolen and feature immodest and tight knee skirts. Penny’s is brown, while her blouse is khaki. Her pumps are darker than her suit; her pantyhose match the suit in tone. Karina’s suit is grey; her blouse is black and has a very immodest plunging V-neck blouse. She has black high heels and black pantyhose. Both of the blonde girls look at each other. Karina’s classic blonde locks are long and free; Penny’s hair is in a bun and full of natural brown highlights. Likewise, Karina is blue-eyed, but Penny has unforgettable vivacious brown. Both girls are wide-eyed with panic at the situation.
Clothesline binds their wrists and elbows behind their back. A harness and a dual purpose waist and crotch rope, under their skirts, pins their arms further. Their thighs, knees, and ankles are all bound with the clothesline, and the ankle rope is worked around their heels to prevent the loss of the footwear. They are bound, gagged, and helpless in a strange place far from home.
Into the room walks a girl with uncontrollable curly brown locks. She has blue latex pants and a matching bandana headband; she has black combat boots and fingerless gloves with a matching black sports bra. Her eyes are wide with excitement as she approaches Penny and carefully cups Penny’s chin in her left hand before nodding with almost demented pleasure.
“Perfect choice, my dear Genevieve. You did well in bringing them here.â€
The gorgeous assistant stands straight and tall with her arms crossed in front of her. She seems to be more likely to be a third damsel-in-distress than a kidnapper in this setting. She has a form fitting red miniskirt, black pantyhose, black slip-on flat shoes, a pink button-up short sleeve shirt, and a red bandana headband. She is chic yet still very independent.
“Dr. Vee, will the corporation be pleased with the choice?â€
“Yes, Genevieve †the doctor nods her head, “They will be very pleased indeed.â€
With a grin, I kneel down beside Penny with a cheesy grin on my face, playfully squeezing her tits with my hands. "Oh," I then say in a distinct and obvious French accent, "you are so cute!" and then I kiss Penny on the cheek with a clear passion for girls. Penny starts yelling along with Karina, but the evil scientist has a way of handling these things. The use of vibrators can be a way of forcing cooperation because the orgasms incapacitate the captive.
Penny asked me to narrate this story because she was hoping I would do like some friends do, to talk about myself and my past. From the moment I heard of bondage, I knew it was something I would enjoy. There must be trust involved, or everything breaks down. When it's professional, I find it a physical challenge. When it's personal, I find it an emotional bonding time.
This before us is professional. It's work. There are cameras filming what is happening. This is a situation fully by choice, and the goal is to entertain. This film has a plot with ordered events but improvised events in the same manner. There is no verbal script. I am supposed to fondle either of the captives while Maddy fondles the other, but we improvise the words and how we do it.
“Nooo!†Penny tries to squirm away, “Et -e -o -ight -ow!â€
“I am sor-Ree, my dear,†my accent is thick, “but I may not do that.â€
The passionate fire in those brown eyes! The proud determination in her struggle! The rope that binds her so tightly! She is such an arousing sight, but I can control myself. She is beautiful, but she is a girl I cannot have. My relationship with women is complicated, and Penny was hoping I could get some things off my chest. I suppose now is the time to explain myself.
Tante Charlotte, my mother's sister, was a strange one. She never married. She never seemed to try to find a husband either. She worked a job then considered a man’s job, an architect. She did not like traditional female TV shows, but she did traditionally feminine hobbies in the usual way with joy. In America, we would call her a tomboy and leave it at that. She wasn't a tomboy; she was a closeted lesbian. She moved America and convinced my parents that we should move.
It all started back in France. Orleans. One day she was babysitting me because my parents had a conflict in their schedules. That day, when I was six, was the day she gave me my first “dancing lesson.†She did teach me how to do the minuet, the waltz, the gavotte, and many others because she'd been taught professionally as a teenager and young adult. Except I did it without clothes. I did it while she'd invasively use her hands to correct my form. She'd finger herself while I would go through a dance. I was six. I didn't know better. She told me to dance with my clothes on as dancing without clothes was only for lessons. I didn't realize what she was doing, and I joyfully would put a CD into the player and demonstrate for my parents. Tante was grooming me.
“Corporate wants us to see how they respond to spanking,†my superior tells me, “On the bed.â€
“Very well, doc-Tor,†I push Penny against the bed, knees on the floor, belly on the bed.
“Start with hand spanks. We’ll get meaner with time,†the doctor wiggles her eyebrows.
“Zhall we be-geen?†I have picked on my own accent enough for you to understand.
Tante eventually moved from dancing to fondling me outright. She lived next door. She taught me many things, true, but I was so often naked while doing them. She’d touch me. Put fingers in my body, Touch herself. Climax. She was disgusting, and she told me that my parents and I would die if I told a soul. She meant it. My parents are dead. She didn't plan on me killing her before she could kill me though.
That judge. I have never forgiven her. She's a monster. She sentenced me to six years prison for killing Tante, told me I was monster for killing Tante with the same gun with which Tante killed my mother. In front of dozens of church friends. On Memorial Day. But I was bad for killing a poor misunderstood groomer who had shot my mother and stabbed my father. There are things I do not understand, and this deplorable judge tops the long list still.
Number 2 on my list is my bizarre bisexuality. It's bizarre because of my bondage-sexuality, the term I ascribe to my attraction to women that only becomes a sexual desire when I or the woman of my desires is tied up. I will sleep with men regardless, but I will only sleep with a girl if one of us is bound (and usually gagged too). Some of my friends arouse me when tied up, and one of them is here: Penny. I have no such desires for either Karina or the camera girls.
On the other hand, spanking for me is only fun when playful. In scenes like this, where spanking is a torture and a punishment, it is all right. but I do not enjoy it. I am strange in my kink. I will be aroused and climax during a scene even when it is intense like this or even more intense. I’m clueless. Why does bondage get me so strongly, perhaps more than most of my friends? This is another one of those questions for which I have no answer, but this one doesn't bother me.
Spanking is fun; foot beating is a pleasure. Again, it must be done just so. No foot beating is on the table for this film. Hasn't Karina been spanked enough from the previous films we made? I do not set the shooting schedules when I agree to be part of a production team. However it is, I will go along with it, and I will find merriment or adventure in the resulting scene. Shall we? In this scenario, it feels like nothing but work for me.
SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK!
SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK!
“Mmmmmm,†I give Penny another kiss, and she snarls at me.
“Genevieve, emotionally separate yourself from the captives,†Dr. Vee reminds me.
“I am sorry, but I like to tease them, especially since I can tell this one hates kissing.â€
“We want torture, not Stockholm syndrome,†the mad scientist, like I, is a cold, selfish soul.
“AAAGGGGGGGGGGGGGGHHHHHHHH!†Penny is freaking out.
“Mmmmmmmmm,†Karina quietly accepts her fate.
We are cold and selfish, working only for money. This is why we so ruthlessly spank Penny and Karina. Spanking ought to be fun, but I know there will be fun for me if I am patient and do my duty. Again, I am strange, but then again all of my friends here present experienced horrors that I did not. Unlike them, I exited prison with my virginity still intact.
May I say this? I hate my sexuality. I hate that I am attracted to females. Why must I be in this way? Tante stripped me naked, made me do sexual things that I cannot describe, and destroyed my youthful soul. I clammed up, and I lived feeling this strange defilement I could not express due to fear. It was only when I overheard someone talking about problems with a teacher that I felt I could open up. Did I… Did I cause my parents to die? Is it my fault?
Yet I do these things. Penny and I along with another friend would make films for this one guy who had us put things in each other, and we would wear things shaped like a penis to violently engage in sex with a girl who was bound and gagged. We did it to each other, and we did it to other models at the studio. Penny wasn't Catholic yet; our friend is still not religious. Why did I do it? Why do I no longer do it on camera, but occasionally that friend and I do it to each other? Am I as much a monster as Tante Charlotte?! Am I demented, evil, or confused?
Why am I attracted to girls? Why am I only interested in sexual engagement with bondage when I am with a girl? Even with men I prefer bondage, but I can engage a man without bondage. Am I all right? Is it how God made me? Is it a result of trauma? If it is trauma, is it trauma from the abuse or from spending six years of my life in a girl’s prison? Then, after I engage in these acts, I find myself sinking in filth, disgusted with myself and my actions.
With these three girls, I feel accepted, safe, and forgiven. My sexuality does not disgust them. I am safe from harm; we will defend each other even if it cost us our lives; the outbursts that arise due to my confusion are met with love and patience and understanding. Karina understands, for she is also bisexual. We are not attracted to each other, but we are attracted to some of the same girls. Coming from an atheistic perspective originally, she finds it easy to be merciful to herself even in mistakes and shares her wisdom with me. She has converted to my faith but still shares a bed with her Catholic girlfriend. They’re weaning themselves off that aspect of their relationship for the sake of their souls. Can I help that I love the feel of manhood, rubber and real, jamming into my body while I am tightly bound and gagged?
“Let's tickle them now!†Dr. Maddy sinisterly speaks with glee, and I feel a spark within me.
Tickling is something that is fun in the right context. I prefer it during lighter adventures, but it is appropriate here just to emphasize how demented the doctor and I can be. The laughter brings joy to the game. Tickling is for TUGs. I am a girl who sees TUGs and bondage as two separate games, if you will; TUGs are between friends for fun; bondage is for intense or sexual thrill. My priest knows of my sins and my struggles, and he, too, gives sound advice.
Here, tickling seems foreign, and it is hard not to enjoy things in my own right. Maddy does not want it this way, but I cannot resist enjoying this. I feel it makes my character more disturbing to laugh at the captives’ suffering. They cannot stop us from putting our fingers in their bellies, and I feel Karina's navel piercing when I am tickling her. We do not tickle them for long; we want to study and not to harm. Karina is trying to keep calm, but Penny is squirming a lot.
Penny, Maddy, and Karina. The three joys of my life. Penny and Maddy became my roommates after I was freed from juvie; they kindly took me into their own home. Penny became a friend to me; Karina was the one I turned to for advice; Maddy taught me about bondage and TUGs. That is not enough to say, but they in particular took care of me, helped me find meaning in an empty life, and guided me back into society since all my middle school and high school years were lost to my time in prison. Now I am the woman you see before you.
“My dear Genevieve,†Maddy declares, “Let's be lecherous!â€
“With pleasure, my dear Dr. Vee,†I broadly smile in anticipation of what is to come.
“Mmmmmm!†Penny yells when I unbutton her jacket and her shirt.
“Let me see these cute little titties, hmmm?†I coldly ask her since I am doing it anyway.
“Mm mm mmmmm! NOOOOO! Mmmmmmmmmmmmm,†they both reprimand us.
“Oh, look at this pair,†I forget my role and let my sexuality take over in enjoying their titties.
There are many ways to enjoy titties that bring me pleasure. One is what I do now: I sit Karina on my lap, wrap my arms around her, and squeeze. I most often do this in a lesbian context, for want of better words. I normally would kiss and work on the crotch, but here I merely play with the protrusions to aggravate Kari. Gentle massages, titty kisses, nipple pinching. and clamping all can be fun or sexy depending on the context. I love breastplay. I feel comfortable playing it with Karina or any other girl just the same and can do it as part of soft TUGs or hard bondage.
Now comes a thing I personally detest when it is done to me except by a man, because of Tante. I speak of hair pulling. Hair pulling is a satisfying way for me to dominate a female, but such is a trigger for me. A real trigger. I break character (“tap outâ€) when it is done to me, but I am fine with doing it to others. It allows me to control the situation with sharply applied pain. The yell I get from the captive is usually satisfying, and it best works in total domination or friendly TUGs. It also forces the captive to react to their gag, whether tasting fabric or drooling on a ball. There are a lot of things to like about this particularly mischievous element.
I’m sure you noticed the outfit I described. That’s how I dress all the time. It’s always sleek yet informal for me. I remember being 7 years old, the first time my family and I made the trip from our home in Orléans to Le Mans, about 2 hours, for the famous sports car race. I didn’t care for an automobile race too much, but I knew “chic and cozy†when I saw it in those machines. That is a small part of how I grew to love dressing as I do: skirts, pantyhose, garters, sweaters, and, as a tribute to my friendships and my time in prison, my ever present bandana. I wear my bandanas so much that I devised ways to get around my employer’s rules.
I love cosplay productions like this where we must dress to fit a stereotype; they excite me more than I can describe! There are girls whom I would be seducing if they were dressed like Penny and Karina are dressed for this scene. I am, however, extremely strict with consent, and I always explicitly ask if I may engage in certain things when those lines haven’t been predefined. I also expect my captors to do the same when I am on the receiving end of the love of pleasure.
“Let me see what happens when you cannot breathe,†I pinch Karina’s nose shut with my fingers.
“Nmmmmmm,†she squirms quite submissively and looks at me with pleading eyes.
“Hee hee heeeeee!†Maddy does the same to Penny now, “You’re enjoying this, aren’t you?!â€
“NNNNNNNN!†Penny is kicking like we are serial killers and not two of her best friends.
Nose pinching is a fun way to wake up a captive. It can either make her feistier or push her into submission. This is what Karina and Penny represent: submission and resistance. I love them so much that I cannot put it into words, and no one comforts a teary-eyed soul like Penny. Penny is a little too much into her “tough girl†routine though and only shows such softness when she is in private with you or when only Maddy is around.
Binder clips and clothespins evoke squeals that are like music to Maddy’s ears. Maddy is perfect for a mad scientist just because of her “hee hee heeeee!†laugh that can display genuine pleasure or wickedness just as easily, either making a captive more comfortable or more uncomfortable. I love the laugh because it is classic Maddy, and I feel a strange comfort when I hear it. This is the friend who went to the state and pleaded for them to release me into her home since I was weeks away from adulthood and would simply leave a foster home and go straight to her anyway.
A binder clip for one titty, and a clothespin for the other. Clothespins to me are more playful, but I like both. It depends on the context, really. Both can be good for moments like this, more hard bondage, and lighter TUGs. Am I proving to be sufficiently complicated yet? I feel like I’m just babbling on instead of telling a story, but Penny said this is what she wanted me to do with this.
“MMMMMMMMMM!†Karina yells at me on account of the titty torture.
“I am sorry, mon ami, but I am not about to release you,†I say in my most adorable inflection.
“GMM MMM MMMM!†Penny furiously protests with fire in her eyes, “UNHHH MMMM!â€
“No way!†Maddy grabs Penny’s cheek, “Your corporate HR told me to keep you longer!â€
This next part is for Karina and Penny’s deeper pleasure and Maddy’s deeper thrill. I am unable to partake and smile at foot whacking or paddle spanking. They are delightful parts of TUGs for some, but for me they are for intense roleplays and hard bondage. Foot whacking causes me too much soreness to take it as much more than a light tease during games, and I expect more money out of the producer if I am going to seriously endure it during a film. Paddling can be done a bit within TUGs, but anything to cause real pain is only for hard bondage in my opinion. I must not do more than watch and comment on the captive’s reactions.
How they react though! Karina sinks into the bed on which we’ve laid them out, but Penny gets more and more energetic and defiant. The way Penny can scream into a gag is incomparable to any other person I’ve met in my life. She reprimands you so sharply that some girls jump back at her response. What a delightful girl she is; oh, how much I adore my sweet friend Penny. It is a pleasure when she lets me rock her child in her arms. I’m relaxing just thinking about it.
Karina loves ruler usage on her body. She loves when it strikes her anyway on her body, but she loves it most when her feet are beaten. Just for a test, Karina did a scene where the goal was for Penny to force Karina to tap out through physical pain—foot whacking, spanking and paddling, beating other parts of Karina’s body, breathplay, suspension, etc.—it took three hours! I went to this shoot, and I was amazed by Karina’s psychological and physical fortitude.
Maddy is sharp and cruel with her use of the physical implements. She’d much rather have both of them in a strappado with me holding a vibrator against their crotches while this happens, but it is necessary to vary things so that the audiences do not get bored. Even we need the variety for a little breath of fresh air on our side of things. She embraces roles where she can be herself for an extended period, and the crazy mad scientist Maddy Vee is much like the real life dominatrix.
“GMMMMM!†Penny flashes a middle finger at Maddy, and I cannot help but laugh at her.
“My little beauty, you are a sugary delight that brings joy and warmth to my heart!â€
“Mmmmm mmmmmm?†Karina questions us, but her questions go unanswered.
“Like I’m giving in to your pathetic captive demands! I’m getting paid good money for this!†is Maddy’s response to that attempt to earn mercy, and Karina gets a sharp spank on her rear.
“MMMMMMMM!â€
“EE RRRRR A-OHN!†this tiny Penny really things she runs the show, doesn’t she?
Now we’re back to things I like. Hairbrush tickling is a classic part of the playful TUGS that I so strongly prefer tickling to be part of. While some like finger tickling, a soft bristle brush is a good way to guarantee I am happy with a TUG. Tickling is great as a small part of scenes like this and TUGs. In TUGs, tickling might be my favorite thing both to do with a captive and to have done to me. The giggling is quite genuine for me as a captive; I sincerely enjoy it.
I know Penny loves foot tickling, but the importance of keeping the heels on their feet overrides her love of foot-related tortures. Still, the brushes can be used for some mild tickling that gives a bit of discomfort. It is fun, but I can tell we all are craving something more than this. It is good to do this and remind ourselves of what we like and why; depriving yourself of pleasure can be a good thing at times. Even a fast from tickle torture makes you appreciate tickle torture more! It is a stark contrast in Karina’s increasing anger and Karina’s increasing submission.
Here comes the climax of the film, and the one thing that can make Karina climax without any crotch stimulation. Having your nose taped shut is a thing that belongs in heavy bondage, and it is a mixed film here because we are doing random things in small spurts. Nose taping and even strangulation are like a strange thrill for Penny and I. To use the analogy of the famous Le Mans race, it’s the same rush you see the drivers experience after a race; they’re exhausted but they’re wide-eyed. Sorry, for us French people, football and motorsport are ways of life ingrained into our society with crazy numbers of venues for each. In these controlled spurts that do not really endanger me, I feel that thrill and panic. When done carefully, it can amplify my feelings such as domination, submission, and helplessness. For Karina, that helplessness leads to climax. It’s done in 30 second bursts for this film.
“EMMMM! GMMM MM MMMMMM!†Penny is frantic and throws herself off the bed.
“Nmmmm,†Karina shakes her head quietly and squirms while slowly sitting herself up.
Now imagine this cycle. There is 30 seconds of oxygen; then there is 30 seconds of asphyxia. It is a cruel but arousing cycle even for me as the captor. Maddy is uncomfortable with this, and it is up to me to follow her orders in tormenting the captives. These spurts make the experience so much more invigorating for all involved, especially when I start varying the times of each spurt; I am now unpredictable. Unpredictability of repeated asphyxiation makes it even more thrilling!
“Is it a struggle, my beauties?†I grab their titties while they try to breathe through the tape.
“GRRRRRRR!†Penny snarls at me some more, but Karina is in her subspace and climaxing.
“Your corporation paid us nicely to do this to you!†Maddy cackles wickedly.
“Enjoy going back to your cubicles on Monday morning,†I wiggle my eyebrows.
“GMPH?!†Penny is absolutely aghast that her own employer would do this to her.
“The best part is that when we are done we will chloroform you, and you will not know how you got here,†I giggle and smile broadly while looking at her, “And we’ll do it to your coworkers, to your underlings, your bosses, and maybe to you some more!â€
I end this and leave them to struggle. Karina collapses into the desired subspace only because of the safe, trusting environment as opposed to a heavy bondage scene. She is in control of herself even in such a position, an oddity among my friends. It is such a wonderful way to end such an adventurous film. This has been a pleasure to narrate, but we’re not done yet.
THE END
Total Duration of Film: Approximately 92 minutes
How Cheer Works
Production Date: Wednesday, June 27, 2018
Dr. Maddy Vee and I wanted to understand how cheer works. What makes a person happy or sad or even bouncy or controlled? We didn’t know, but we knew the best way to do it was capturing, binding, gagging, and tickling four cheerleaders. After all, cheerleaders show know everything there is to know about cheer since they lead others in being cheerful, right? Each of them had a white tank top with turquoise, purple, and yellow diagonal stripes, a turquoise miniskirt, white canvas sneakers, white knee socks, and an accessory that was yellow.
One victim was of course Penny. Penny had to have her yellow bandana headband, but she also had a yellow scrunchie to hold her hair in that bun she so passionately prefers above all else. It is part of who she is, and I wouldn’t want it any other way. Penny needs no introduction since I just spent enough time talking about her. Let me say again that I do love her very much.
Roxanne Rutledge is a sweet girl with long dark hair and brown eyes. It’s a good day when she comes around because of how much she loves Penny and Maddy. She has a yellow elastic fabric headband holding her hair back. She’s only a little taller than Penny. Roxanne is mischievous as can be, and she is the ultimate wild card during any kind of TUG.
Missy Mischief is a girl with a flair for edginess in her outfits, much like Maddy. In this one, she uses a yellow bandana to tie her hair into a ponytail to maintain a cute edge while being entirely unique in her style. Her wavy blonde hair and her blue eyes are perfect for bondage modeling. I enjoy her as a playmate during TUGs because she’s imaginative and clever.
Then there’s Pearl. Pearl is a tall girl, taller than even Dr. Maddy by a good amount. She also is blue-eyed, but she has dark-ash blonde hair that she has put into pigtails using yellow ribbons. A big smile gets wiped off her face when she gets tied up. Pearl doesn’t play TUGs with us much, but on the farm on which she grew up she was always getting kidnapped by her brothers. When Brooke wants to play, though, she plays it seriously and plays to win with joyful resolve.
The doctor and I have changed. Maddy is in jean shorts, a red tank top, white knee socks, black combat boots, and a red bandana she wears as a kerchief. She’s more school nerd than maniacal doctor in this one, and I absolutely love it. Maddy is an unique personality that cannot be ever compared, matched, or exceeded. Her unique background has led to her being a delight.
As the lovely assistant, I wear a light pink form-fitting miniskirt, a brown sweater, brown hose to match my sweater, pink slip-on shoes, and a blue bandana headband. I love using my bandana to make subtle statements about my psychological state. It’s a way I feel safe expressing feelings to my friends, and it’s a way they can understand because they know me and love me.
Each captive is bound in a different manner. Roxanne is spreadeagle with white rope on the bed with 6 layers of duct tape wrapped around her head to keep her from protesting. Penny is bound together at her ankles, knees, thighs, wrists, and elbows, and a black bit gag gags her. Penny has a fondness for bit gags that Roxanne and I share. Missy is tied up just like Penny but with duct tape, and she is gagged just like Roxanne.
Pearl is in the toughest position. Her arms are laced up in an armbinder, and she is held up in a strappado. She has a head harness with a red ball gag that shuts her up quite nicely. Her legs are roped to a spreader bar as well. She’s in the worst position of all. Her position looks exciting to me, though, and I would enjoy being in her bondage. That’s a position where I would enjoy the roughness of paddling.
“Hmmm?†Roxanne opens her eyes from the chloroform-induced (pretend) sleep.
This is how it goes. Each girl wakes up and finds herself bound and gagged. They struggle to be accepting of their position, and they protest and resist with various levels of aggression ranging from Penny’s typical fury to Pearl’s quiet fight to Felice’s energetic silence. There is nothing any of them can do, though; they’ve been kidnapped. The camera highlights each.
“Greetings, ladies,†Maddy finally shows herself, “I’m Dr. Vee. You’re probably trying to figure out where you are, how you got here, and how you’ll escape. Forget any of it. I’ll do what I am here to do, and afterwards I will knock you out again and dump you back on a football field. It’s none of your business why I kidnapped you. Since you’re cheerleaders, I’m going to tickle each of you because I want to understand what makes people cheerful. Enjoy it, because you’ll be in tons of pain by the time I’m done tickling each of you! This is my assistant, Miss Badeaux, and you are to address her as such. Understood? Great!â€
Then it’s 40 minutes of Maddy and I tickling each of them until each one is in so much pain she cannot take it any longer and uses our pre-agreed signals to express surrender. There is nothing to really see any more, but needless to say Maddy and I did not answer our questions.
Thank you kindly for listening to me ramble. It means a lot to me.
THE END
Total Duration of Film: Approximately 50 minutes
The Mad Scientist
Secretarial Adventures
Production Date: Wednesday, June 27, 2018
| Featuring | Model Name | As |
|---|---|---|
| Kendra Kristensen | Penny Nichols | Kidnapped Secretary #1 |
| Hannah Larsson | Karina Nilsson | Kidnapped Secretary #2 |
| Mary-Ann Voisin | Maddy Vee | Mad Scientist |
| Ashley Calland | Genevieve Badeaux | Scientist’s Assistant |
She turns to the right and sees her co-worker Karina Nilsson is awakening and stirring too. It’s a few moments before Penny realizes that strips of duct tape seal the lips of Karina’s mouth. Then, Penny tries to talk, and she feels what seems to be one or two handkerchiefs in her mouth. After a moment, she realizes that she and Karina are bound and gagged!
“MMMMMMMM!†Penny yells to get Karina’s attention.
They are quite an interesting sight in their business suits. They are woolen and feature immodest and tight knee skirts. Penny’s is brown, while her blouse is khaki. Her pumps are darker than her suit; her pantyhose match the suit in tone. Karina’s suit is grey; her blouse is black and has a very immodest plunging V-neck blouse. She has black high heels and black pantyhose. Both of the blonde girls look at each other. Karina’s classic blonde locks are long and free; Penny’s hair is in a bun and full of natural brown highlights. Likewise, Karina is blue-eyed, but Penny has unforgettable vivacious brown. Both girls are wide-eyed with panic at the situation.
Clothesline binds their wrists and elbows behind their back. A harness and a dual purpose waist and crotch rope, under their skirts, pins their arms further. Their thighs, knees, and ankles are all bound with the clothesline, and the ankle rope is worked around their heels to prevent the loss of the footwear. They are bound, gagged, and helpless in a strange place far from home.
Into the room walks a girl with uncontrollable curly brown locks. She has blue latex pants and a matching bandana headband; she has black combat boots and fingerless gloves with a matching black sports bra. Her eyes are wide with excitement as she approaches Penny and carefully cups Penny’s chin in her left hand before nodding with almost demented pleasure.
“Perfect choice, my dear Genevieve. You did well in bringing them here.â€
The gorgeous assistant stands straight and tall with her arms crossed in front of her. She seems to be more likely to be a third damsel-in-distress than a kidnapper in this setting. She has a form fitting red miniskirt, black pantyhose, black slip-on flat shoes, a pink button-up short sleeve shirt, and a red bandana headband. She is chic yet still very independent.
“Dr. Vee, will the corporation be pleased with the choice?â€
“Yes, Genevieve †the doctor nods her head, “They will be very pleased indeed.â€
With a grin, I kneel down beside Penny with a cheesy grin on my face, playfully squeezing her tits with my hands. "Oh," I then say in a distinct and obvious French accent, "you are so cute!" and then I kiss Penny on the cheek with a clear passion for girls. Penny starts yelling along with Karina, but the evil scientist has a way of handling these things. The use of vibrators can be a way of forcing cooperation because the orgasms incapacitate the captive.
Penny asked me to narrate this story because she was hoping I would do like some friends do, to talk about myself and my past. From the moment I heard of bondage, I knew it was something I would enjoy. There must be trust involved, or everything breaks down. When it's professional, I find it a physical challenge. When it's personal, I find it an emotional bonding time.
This before us is professional. It's work. There are cameras filming what is happening. This is a situation fully by choice, and the goal is to entertain. This film has a plot with ordered events but improvised events in the same manner. There is no verbal script. I am supposed to fondle either of the captives while Maddy fondles the other, but we improvise the words and how we do it.
“Nooo!†Penny tries to squirm away, “Et -e -o -ight -ow!â€
“I am sor-Ree, my dear,†my accent is thick, “but I may not do that.â€
The passionate fire in those brown eyes! The proud determination in her struggle! The rope that binds her so tightly! She is such an arousing sight, but I can control myself. She is beautiful, but she is a girl I cannot have. My relationship with women is complicated, and Penny was hoping I could get some things off my chest. I suppose now is the time to explain myself.
Tante Charlotte, my mother's sister, was a strange one. She never married. She never seemed to try to find a husband either. She worked a job then considered a man’s job, an architect. She did not like traditional female TV shows, but she did traditionally feminine hobbies in the usual way with joy. In America, we would call her a tomboy and leave it at that. She wasn't a tomboy; she was a closeted lesbian. She moved America and convinced my parents that we should move.
It all started back in France. Orleans. One day she was babysitting me because my parents had a conflict in their schedules. That day, when I was six, was the day she gave me my first “dancing lesson.†She did teach me how to do the minuet, the waltz, the gavotte, and many others because she'd been taught professionally as a teenager and young adult. Except I did it without clothes. I did it while she'd invasively use her hands to correct my form. She'd finger herself while I would go through a dance. I was six. I didn't know better. She told me to dance with my clothes on as dancing without clothes was only for lessons. I didn't realize what she was doing, and I joyfully would put a CD into the player and demonstrate for my parents. Tante was grooming me.
“Corporate wants us to see how they respond to spanking,†my superior tells me, “On the bed.â€
“Very well, doc-Tor,†I push Penny against the bed, knees on the floor, belly on the bed.
“Start with hand spanks. We’ll get meaner with time,†the doctor wiggles her eyebrows.
“Zhall we be-geen?†I have picked on my own accent enough for you to understand.
Tante eventually moved from dancing to fondling me outright. She lived next door. She taught me many things, true, but I was so often naked while doing them. She’d touch me. Put fingers in my body, Touch herself. Climax. She was disgusting, and she told me that my parents and I would die if I told a soul. She meant it. My parents are dead. She didn't plan on me killing her before she could kill me though.
That judge. I have never forgiven her. She's a monster. She sentenced me to six years prison for killing Tante, told me I was monster for killing Tante with the same gun with which Tante killed my mother. In front of dozens of church friends. On Memorial Day. But I was bad for killing a poor misunderstood groomer who had shot my mother and stabbed my father. There are things I do not understand, and this deplorable judge tops the long list still.
Number 2 on my list is my bizarre bisexuality. It's bizarre because of my bondage-sexuality, the term I ascribe to my attraction to women that only becomes a sexual desire when I or the woman of my desires is tied up. I will sleep with men regardless, but I will only sleep with a girl if one of us is bound (and usually gagged too). Some of my friends arouse me when tied up, and one of them is here: Penny. I have no such desires for either Karina or the camera girls.
On the other hand, spanking for me is only fun when playful. In scenes like this, where spanking is a torture and a punishment, it is all right. but I do not enjoy it. I am strange in my kink. I will be aroused and climax during a scene even when it is intense like this or even more intense. I’m clueless. Why does bondage get me so strongly, perhaps more than most of my friends? This is another one of those questions for which I have no answer, but this one doesn't bother me.
Spanking is fun; foot beating is a pleasure. Again, it must be done just so. No foot beating is on the table for this film. Hasn't Karina been spanked enough from the previous films we made? I do not set the shooting schedules when I agree to be part of a production team. However it is, I will go along with it, and I will find merriment or adventure in the resulting scene. Shall we? In this scenario, it feels like nothing but work for me.
SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK!
SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK! SMACK!
“Mmmmmm,†I give Penny another kiss, and she snarls at me.
“Genevieve, emotionally separate yourself from the captives,†Dr. Vee reminds me.
“I am sorry, but I like to tease them, especially since I can tell this one hates kissing.â€
“We want torture, not Stockholm syndrome,†the mad scientist, like I, is a cold, selfish soul.
“AAAGGGGGGGGGGGGGGHHHHHHHH!†Penny is freaking out.
“Mmmmmmmmm,†Karina quietly accepts her fate.
We are cold and selfish, working only for money. This is why we so ruthlessly spank Penny and Karina. Spanking ought to be fun, but I know there will be fun for me if I am patient and do my duty. Again, I am strange, but then again all of my friends here present experienced horrors that I did not. Unlike them, I exited prison with my virginity still intact.
May I say this? I hate my sexuality. I hate that I am attracted to females. Why must I be in this way? Tante stripped me naked, made me do sexual things that I cannot describe, and destroyed my youthful soul. I clammed up, and I lived feeling this strange defilement I could not express due to fear. It was only when I overheard someone talking about problems with a teacher that I felt I could open up. Did I… Did I cause my parents to die? Is it my fault?
Yet I do these things. Penny and I along with another friend would make films for this one guy who had us put things in each other, and we would wear things shaped like a penis to violently engage in sex with a girl who was bound and gagged. We did it to each other, and we did it to other models at the studio. Penny wasn't Catholic yet; our friend is still not religious. Why did I do it? Why do I no longer do it on camera, but occasionally that friend and I do it to each other? Am I as much a monster as Tante Charlotte?! Am I demented, evil, or confused?
Why am I attracted to girls? Why am I only interested in sexual engagement with bondage when I am with a girl? Even with men I prefer bondage, but I can engage a man without bondage. Am I all right? Is it how God made me? Is it a result of trauma? If it is trauma, is it trauma from the abuse or from spending six years of my life in a girl’s prison? Then, after I engage in these acts, I find myself sinking in filth, disgusted with myself and my actions.
With these three girls, I feel accepted, safe, and forgiven. My sexuality does not disgust them. I am safe from harm; we will defend each other even if it cost us our lives; the outbursts that arise due to my confusion are met with love and patience and understanding. Karina understands, for she is also bisexual. We are not attracted to each other, but we are attracted to some of the same girls. Coming from an atheistic perspective originally, she finds it easy to be merciful to herself even in mistakes and shares her wisdom with me. She has converted to my faith but still shares a bed with her Catholic girlfriend. They’re weaning themselves off that aspect of their relationship for the sake of their souls. Can I help that I love the feel of manhood, rubber and real, jamming into my body while I am tightly bound and gagged?
“Let's tickle them now!†Dr. Maddy sinisterly speaks with glee, and I feel a spark within me.
Tickling is something that is fun in the right context. I prefer it during lighter adventures, but it is appropriate here just to emphasize how demented the doctor and I can be. The laughter brings joy to the game. Tickling is for TUGs. I am a girl who sees TUGs and bondage as two separate games, if you will; TUGs are between friends for fun; bondage is for intense or sexual thrill. My priest knows of my sins and my struggles, and he, too, gives sound advice.
Here, tickling seems foreign, and it is hard not to enjoy things in my own right. Maddy does not want it this way, but I cannot resist enjoying this. I feel it makes my character more disturbing to laugh at the captives’ suffering. They cannot stop us from putting our fingers in their bellies, and I feel Karina's navel piercing when I am tickling her. We do not tickle them for long; we want to study and not to harm. Karina is trying to keep calm, but Penny is squirming a lot.
Penny, Maddy, and Karina. The three joys of my life. Penny and Maddy became my roommates after I was freed from juvie; they kindly took me into their own home. Penny became a friend to me; Karina was the one I turned to for advice; Maddy taught me about bondage and TUGs. That is not enough to say, but they in particular took care of me, helped me find meaning in an empty life, and guided me back into society since all my middle school and high school years were lost to my time in prison. Now I am the woman you see before you.
“My dear Genevieve,†Maddy declares, “Let's be lecherous!â€
“With pleasure, my dear Dr. Vee,†I broadly smile in anticipation of what is to come.
“Mmmmmm!†Penny yells when I unbutton her jacket and her shirt.
“Let me see these cute little titties, hmmm?†I coldly ask her since I am doing it anyway.
“Mm mm mmmmm! NOOOOO! Mmmmmmmmmmmmm,†they both reprimand us.
“Oh, look at this pair,†I forget my role and let my sexuality take over in enjoying their titties.
There are many ways to enjoy titties that bring me pleasure. One is what I do now: I sit Karina on my lap, wrap my arms around her, and squeeze. I most often do this in a lesbian context, for want of better words. I normally would kiss and work on the crotch, but here I merely play with the protrusions to aggravate Kari. Gentle massages, titty kisses, nipple pinching. and clamping all can be fun or sexy depending on the context. I love breastplay. I feel comfortable playing it with Karina or any other girl just the same and can do it as part of soft TUGs or hard bondage.
Now comes a thing I personally detest when it is done to me except by a man, because of Tante. I speak of hair pulling. Hair pulling is a satisfying way for me to dominate a female, but such is a trigger for me. A real trigger. I break character (“tap outâ€) when it is done to me, but I am fine with doing it to others. It allows me to control the situation with sharply applied pain. The yell I get from the captive is usually satisfying, and it best works in total domination or friendly TUGs. It also forces the captive to react to their gag, whether tasting fabric or drooling on a ball. There are a lot of things to like about this particularly mischievous element.
I’m sure you noticed the outfit I described. That’s how I dress all the time. It’s always sleek yet informal for me. I remember being 7 years old, the first time my family and I made the trip from our home in Orléans to Le Mans, about 2 hours, for the famous sports car race. I didn’t care for an automobile race too much, but I knew “chic and cozy†when I saw it in those machines. That is a small part of how I grew to love dressing as I do: skirts, pantyhose, garters, sweaters, and, as a tribute to my friendships and my time in prison, my ever present bandana. I wear my bandanas so much that I devised ways to get around my employer’s rules.
I love cosplay productions like this where we must dress to fit a stereotype; they excite me more than I can describe! There are girls whom I would be seducing if they were dressed like Penny and Karina are dressed for this scene. I am, however, extremely strict with consent, and I always explicitly ask if I may engage in certain things when those lines haven’t been predefined. I also expect my captors to do the same when I am on the receiving end of the love of pleasure.
“Let me see what happens when you cannot breathe,†I pinch Karina’s nose shut with my fingers.
“Nmmmmmm,†she squirms quite submissively and looks at me with pleading eyes.
“Hee hee heeeeee!†Maddy does the same to Penny now, “You’re enjoying this, aren’t you?!â€
“NNNNNNNN!†Penny is kicking like we are serial killers and not two of her best friends.
Nose pinching is a fun way to wake up a captive. It can either make her feistier or push her into submission. This is what Karina and Penny represent: submission and resistance. I love them so much that I cannot put it into words, and no one comforts a teary-eyed soul like Penny. Penny is a little too much into her “tough girl†routine though and only shows such softness when she is in private with you or when only Maddy is around.
Binder clips and clothespins evoke squeals that are like music to Maddy’s ears. Maddy is perfect for a mad scientist just because of her “hee hee heeeee!†laugh that can display genuine pleasure or wickedness just as easily, either making a captive more comfortable or more uncomfortable. I love the laugh because it is classic Maddy, and I feel a strange comfort when I hear it. This is the friend who went to the state and pleaded for them to release me into her home since I was weeks away from adulthood and would simply leave a foster home and go straight to her anyway.
A binder clip for one titty, and a clothespin for the other. Clothespins to me are more playful, but I like both. It depends on the context, really. Both can be good for moments like this, more hard bondage, and lighter TUGs. Am I proving to be sufficiently complicated yet? I feel like I’m just babbling on instead of telling a story, but Penny said this is what she wanted me to do with this.
“MMMMMMMMMM!†Karina yells at me on account of the titty torture.
“I am sorry, mon ami, but I am not about to release you,†I say in my most adorable inflection.
“GMM MMM MMMM!†Penny furiously protests with fire in her eyes, “UNHHH MMMM!â€
“No way!†Maddy grabs Penny’s cheek, “Your corporate HR told me to keep you longer!â€
This next part is for Karina and Penny’s deeper pleasure and Maddy’s deeper thrill. I am unable to partake and smile at foot whacking or paddle spanking. They are delightful parts of TUGs for some, but for me they are for intense roleplays and hard bondage. Foot whacking causes me too much soreness to take it as much more than a light tease during games, and I expect more money out of the producer if I am going to seriously endure it during a film. Paddling can be done a bit within TUGs, but anything to cause real pain is only for hard bondage in my opinion. I must not do more than watch and comment on the captive’s reactions.
How they react though! Karina sinks into the bed on which we’ve laid them out, but Penny gets more and more energetic and defiant. The way Penny can scream into a gag is incomparable to any other person I’ve met in my life. She reprimands you so sharply that some girls jump back at her response. What a delightful girl she is; oh, how much I adore my sweet friend Penny. It is a pleasure when she lets me rock her child in her arms. I’m relaxing just thinking about it.
Karina loves ruler usage on her body. She loves when it strikes her anyway on her body, but she loves it most when her feet are beaten. Just for a test, Karina did a scene where the goal was for Penny to force Karina to tap out through physical pain—foot whacking, spanking and paddling, beating other parts of Karina’s body, breathplay, suspension, etc.—it took three hours! I went to this shoot, and I was amazed by Karina’s psychological and physical fortitude.
Maddy is sharp and cruel with her use of the physical implements. She’d much rather have both of them in a strappado with me holding a vibrator against their crotches while this happens, but it is necessary to vary things so that the audiences do not get bored. Even we need the variety for a little breath of fresh air on our side of things. She embraces roles where she can be herself for an extended period, and the crazy mad scientist Maddy Vee is much like the real life dominatrix.
“GMMMMM!†Penny flashes a middle finger at Maddy, and I cannot help but laugh at her.
“My little beauty, you are a sugary delight that brings joy and warmth to my heart!â€
“Mmmmm mmmmmm?†Karina questions us, but her questions go unanswered.
“Like I’m giving in to your pathetic captive demands! I’m getting paid good money for this!†is Maddy’s response to that attempt to earn mercy, and Karina gets a sharp spank on her rear.
“MMMMMMMM!â€
“EE RRRRR A-OHN!†this tiny Penny really things she runs the show, doesn’t she?
Now we’re back to things I like. Hairbrush tickling is a classic part of the playful TUGS that I so strongly prefer tickling to be part of. While some like finger tickling, a soft bristle brush is a good way to guarantee I am happy with a TUG. Tickling is great as a small part of scenes like this and TUGs. In TUGs, tickling might be my favorite thing both to do with a captive and to have done to me. The giggling is quite genuine for me as a captive; I sincerely enjoy it.
I know Penny loves foot tickling, but the importance of keeping the heels on their feet overrides her love of foot-related tortures. Still, the brushes can be used for some mild tickling that gives a bit of discomfort. It is fun, but I can tell we all are craving something more than this. It is good to do this and remind ourselves of what we like and why; depriving yourself of pleasure can be a good thing at times. Even a fast from tickle torture makes you appreciate tickle torture more! It is a stark contrast in Karina’s increasing anger and Karina’s increasing submission.
Here comes the climax of the film, and the one thing that can make Karina climax without any crotch stimulation. Having your nose taped shut is a thing that belongs in heavy bondage, and it is a mixed film here because we are doing random things in small spurts. Nose taping and even strangulation are like a strange thrill for Penny and I. To use the analogy of the famous Le Mans race, it’s the same rush you see the drivers experience after a race; they’re exhausted but they’re wide-eyed. Sorry, for us French people, football and motorsport are ways of life ingrained into our society with crazy numbers of venues for each. In these controlled spurts that do not really endanger me, I feel that thrill and panic. When done carefully, it can amplify my feelings such as domination, submission, and helplessness. For Karina, that helplessness leads to climax. It’s done in 30 second bursts for this film.
“EMMMM! GMMM MM MMMMMM!†Penny is frantic and throws herself off the bed.
“Nmmmm,†Karina shakes her head quietly and squirms while slowly sitting herself up.
Now imagine this cycle. There is 30 seconds of oxygen; then there is 30 seconds of asphyxia. It is a cruel but arousing cycle even for me as the captor. Maddy is uncomfortable with this, and it is up to me to follow her orders in tormenting the captives. These spurts make the experience so much more invigorating for all involved, especially when I start varying the times of each spurt; I am now unpredictable. Unpredictability of repeated asphyxiation makes it even more thrilling!
“Is it a struggle, my beauties?†I grab their titties while they try to breathe through the tape.
“GRRRRRRR!†Penny snarls at me some more, but Karina is in her subspace and climaxing.
“Your corporation paid us nicely to do this to you!†Maddy cackles wickedly.
“Enjoy going back to your cubicles on Monday morning,†I wiggle my eyebrows.
“GMPH?!†Penny is absolutely aghast that her own employer would do this to her.
“The best part is that when we are done we will chloroform you, and you will not know how you got here,†I giggle and smile broadly while looking at her, “And we’ll do it to your coworkers, to your underlings, your bosses, and maybe to you some more!â€
I end this and leave them to struggle. Karina collapses into the desired subspace only because of the safe, trusting environment as opposed to a heavy bondage scene. She is in control of herself even in such a position, an oddity among my friends. It is such a wonderful way to end such an adventurous film. This has been a pleasure to narrate, but we’re not done yet.
THE END
Total Duration of Film: Approximately 92 minutes
How Cheer Works
Production Date: Wednesday, June 27, 2018
| Featuring | Model Name | As |
|---|---|---|
| Brooke Meeks | Pearl Posse | Kidnapped Cheerleader #1 |
| Jacqueline Martin | Missy Mischief | Kidnapped Cheerleader #2 |
| Felice Pryce | Roxanne Rutledge | Kidnapped Cheerleader #3 |
| Kendra Kristensen | Penny Nichols | Kidnapped Cheerleader #4 |
| Mary-Ann Voisin | Maddy Vee | Mad Scientist |
| Ashley Calland | Genevieve Badeaux | Scientist’s Assistant |
One victim was of course Penny. Penny had to have her yellow bandana headband, but she also had a yellow scrunchie to hold her hair in that bun she so passionately prefers above all else. It is part of who she is, and I wouldn’t want it any other way. Penny needs no introduction since I just spent enough time talking about her. Let me say again that I do love her very much.
Roxanne Rutledge is a sweet girl with long dark hair and brown eyes. It’s a good day when she comes around because of how much she loves Penny and Maddy. She has a yellow elastic fabric headband holding her hair back. She’s only a little taller than Penny. Roxanne is mischievous as can be, and she is the ultimate wild card during any kind of TUG.
Missy Mischief is a girl with a flair for edginess in her outfits, much like Maddy. In this one, she uses a yellow bandana to tie her hair into a ponytail to maintain a cute edge while being entirely unique in her style. Her wavy blonde hair and her blue eyes are perfect for bondage modeling. I enjoy her as a playmate during TUGs because she’s imaginative and clever.
Then there’s Pearl. Pearl is a tall girl, taller than even Dr. Maddy by a good amount. She also is blue-eyed, but she has dark-ash blonde hair that she has put into pigtails using yellow ribbons. A big smile gets wiped off her face when she gets tied up. Pearl doesn’t play TUGs with us much, but on the farm on which she grew up she was always getting kidnapped by her brothers. When Brooke wants to play, though, she plays it seriously and plays to win with joyful resolve.
The doctor and I have changed. Maddy is in jean shorts, a red tank top, white knee socks, black combat boots, and a red bandana she wears as a kerchief. She’s more school nerd than maniacal doctor in this one, and I absolutely love it. Maddy is an unique personality that cannot be ever compared, matched, or exceeded. Her unique background has led to her being a delight.
As the lovely assistant, I wear a light pink form-fitting miniskirt, a brown sweater, brown hose to match my sweater, pink slip-on shoes, and a blue bandana headband. I love using my bandana to make subtle statements about my psychological state. It’s a way I feel safe expressing feelings to my friends, and it’s a way they can understand because they know me and love me.
Each captive is bound in a different manner. Roxanne is spreadeagle with white rope on the bed with 6 layers of duct tape wrapped around her head to keep her from protesting. Penny is bound together at her ankles, knees, thighs, wrists, and elbows, and a black bit gag gags her. Penny has a fondness for bit gags that Roxanne and I share. Missy is tied up just like Penny but with duct tape, and she is gagged just like Roxanne.
Pearl is in the toughest position. Her arms are laced up in an armbinder, and she is held up in a strappado. She has a head harness with a red ball gag that shuts her up quite nicely. Her legs are roped to a spreader bar as well. She’s in the worst position of all. Her position looks exciting to me, though, and I would enjoy being in her bondage. That’s a position where I would enjoy the roughness of paddling.
“Hmmm?†Roxanne opens her eyes from the chloroform-induced (pretend) sleep.
This is how it goes. Each girl wakes up and finds herself bound and gagged. They struggle to be accepting of their position, and they protest and resist with various levels of aggression ranging from Penny’s typical fury to Pearl’s quiet fight to Felice’s energetic silence. There is nothing any of them can do, though; they’ve been kidnapped. The camera highlights each.
“Greetings, ladies,†Maddy finally shows herself, “I’m Dr. Vee. You’re probably trying to figure out where you are, how you got here, and how you’ll escape. Forget any of it. I’ll do what I am here to do, and afterwards I will knock you out again and dump you back on a football field. It’s none of your business why I kidnapped you. Since you’re cheerleaders, I’m going to tickle each of you because I want to understand what makes people cheerful. Enjoy it, because you’ll be in tons of pain by the time I’m done tickling each of you! This is my assistant, Miss Badeaux, and you are to address her as such. Understood? Great!â€
Then it’s 40 minutes of Maddy and I tickling each of them until each one is in so much pain she cannot take it any longer and uses our pre-agreed signals to express surrender. There is nothing to really see any more, but needless to say Maddy and I did not answer our questions.
Thank you kindly for listening to me ramble. It means a lot to me.
THE END
Total Duration of Film: Approximately 50 minutes
